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Mystic High Voltage 4×3 D/L Front Zip Wetsuit 2013

Available at: https://www.kingofwatersports.com/item.do?item=29528&path=mystic-high-voltage4x3-wetsuit-2013-i29528.html&canonical=http://www.kingofwatersports.com/mystic-high-voltage4x3-wetsuit-2013-i29528.html

It’s almost a lie to call this a ‘wet’-suit, with double liquid seals, inside and out and a new additional water barrier around the front zip, there’s no water getting through this bad boy. Boasting feather light foam and 100% M-Flex neoprene, this super flexible ultra lightweight suit is the Rolls Royce of wetsuits.

Neoprene:

M-FLEX (TRI SPAN) 100%
The most flexible neoprene in our range. M-flex gives maximum flex and durability.

TEDDY PRENE PLUSH
A soft feel interior lining that reflects body heat.

Smelly suits are History with Polygiene Technology

The Polygene will give your wetsuit a permanet odor control

Without Polygiene:
Odor-causing bacteria settles into the material and multiplies

With Polygiene:
Inhibits the growth of odor-causing bacteria in the material, creating an odor free effect

How it works:
Sweat is odorless but helps create the perfect environment for odor-causing bacteria to multiply. When sweat mixes with odor-causing bacteria on fabrics, odor results.

Polygiene uses natural silver salt, a highly effective antimicrobial agent, to safely inhibit the growth of odor-causing bacteria and fungi. However, Polygiene does not affect the natural bacterial flora of your skin. And without odor-causing bacteria, you stay fresh.

Features:

FRONT-ZIP SINGLE ENTRY
A single front-zip construction is positioned above the chest-panel. This entry provides more stretch for your back compared to a back-zip entry.

DEBOSSED NON SLIP CUFFS
A silicon print located inside the cuff, to keep your cuffs in position and prevent water from coming in.

DIAMOND KNEEPADS
Our kneepads are made using highly durable materials, which have tightly woven fibers for better scratch prevention.

DOUBLE NECK
Neoprene on the outside, glideskin on the inside. For a nice touch on the neck, and provides rash protection.

VELCRO ANKLE CLOSURE
Velcro ankle straps to tighten the leg cuffs.

COLOURED PK ZIP
A strong full coloured waterproof zipper, with an extra waterproof coating.

AQUAFLUSH
Perforated neoprene that allows water to exit the suit, preventing the leg cuffs from filling up with water.

AQUABARRIER
Silicone printing which forms a barrier, preventing water from entering your suit.

KEYPOCKET
Internal nylon key pocket, located on the inside of the suit.

200% DOUBLE S-SEAMS
A rubber coating applied over the GBS seam. The 200% s-seam is positioned on the outside and the inside of the suit. The S-seam gives the suit a high-end finish that is both durable and waterproof.

GLUED BLIND STITCHED
Stitching method whereby the panels are first glued together and then only stitched halfway through the fabric instead of fully perforating it, which makes the seams waterproof.

Features:

- Lightweight neoprene
- Flex (Tri-span) 100%
- Teddy prene (Plush) inside
- 100% Double S-seams (Liquid Seals) inside and outside
- GBS (Glued Blind Stitched)
- Front zip single
- PK coated zip
- Double neck construction
- Pre-shaped double neck construction
- Diamond kneepads
- Aquaflush
- Velcro ankle closure
- Debossed cuffs
- Non slip cuffs
- Key pocket

JeffJag is a Denver, CO Abstract Artist who posts HD Time-Lapse and Stop Motion videos of his artwork every other Friday. Daily updated Art Blog – http://artblog.jeffjag.com click SHOW MORE.

This one has been a while in the making, and it’s not the last video I’ll have for this drawing. This is animation progress 14, recorded on September 10th and 12th, 2013.

MATERIALS:
The drawing is called Amazing Realization, and it is an enormous pencil drawing on a 22″ x 30″ sheet of fine heavy bristol drawing paper. In the drawing, I use many 0.3mm mechanical pencils. I use mostly to HB and 2B graphite leads. I occasionally use paper shaders and erasers to blend the pencil, but again, the vast majority of it is hand shaded using a very careful amount of hand pressure.

TECHNIQUES:
Whenever I’m holding the pencil much further back from the tip, I’m allowing the pencil’s own weight to press down on the paper which makes for very soft shading. I am also not a robot drawing robot, so I use erasers. I use the white plastic erasers that work so well with drafting pencils, and the rubber gray kneadable erasers you can form into shapes. I like those for lightening areas which have been filled in too dark, and to keep my pencils from rolling off my drawing desk when I’m not using them. I use a horse hair eraser brush to remove eraser shavings from the drawing without smudging my work. I sometimes use a latex glove on my left hand to keep the oil of my hand from getting on the paper, and for a similar reason, I put a sheet of paper under my drawing hand to keep from smudging parts I’ve already drawn while shading.

THE STORY:
Last year I started a Kickstarter to make prints of my new drawing, Amazing Realization, for people who wanted them. This is quite an epic project which began in mid November 2012 and continues months into 2013. On January 1st 2013 the Kickstarter was successfully funded at over 200% of my goal. Now I’m just working away at finishing the drawing and doing what I can to show the making-of process along the way. The backers get email updates with new photos showing the progress of the drawing the night I work on it, and I release the photo updates of the drawing daily on my Art blog, http://artblog.jeffjag.com, my facebook fan page http://www.facebook.com/jeffjag.art and my twitter feed @jeffjag (all three feature the same daily content). Check out the kickstarter page and watch the video of me announcing the project on that page. http://www.kickstarter.com/projects/112182510/super-detailed-abstract-pencil-art-amazing-realiza

TIME SPENT:
I started this drawing in November 2012 and I’m in the last stretch of drawing in of this video. At the time this video was posted, frames have been captured up through video 15, and half of 16. So there’s a lot left, but it’s getting close. For this video alone (number FOURTEEN), I captured 4,610 frames. Each of these frames was taken between 1 and 10 seconds apart. It varies due to the nature of stop motion and the complexities of drawing with one hand and capturing frames with the other hand. I’ll have a rough estimate by the time I post the final time-lapse project video. Subscribe to my channel and you’ll get it delivered right to you from the friendly YouTube folks.

SOUNDTRACK – “Biplane Donkey Boots” by JeffJag
The sounds were created in the Moog Animoog app on iOS and mixed together in the built-in Animoog 4-track audio editor. All composing, recording, sequencing, and mixing was done by myself specifically for this stop motion time-lapse video. It is only available in this video since that is it’s exclusive purpose and why I created it.

TIME-LAPSE and STOP MOTION
Stop motion and Time-Lapse are used at different intervals during this video. The first two videos in the series were shot at a frame every 5-8 seconds. Later on, I decided to get out my remote shutter release and you can see me holding the button in my left hand as I draw with my right hand. Starting with video 10, I use a wireless shutter release which is super awesome.

WHAT’S WITH THE LATEX GLOVE?
I use a latex glove on my left hand while I draw to keep the oil of my hand from getting on the paper. I place a white sheet of paper under my right hand so I can shade without smudging what I’ve already done. Because I have to move my right hand while drawing, this keeps my hand free to move over areas I may have already drawn without smearing the work.