Factory Supplier for Rubber shoe cover-M for Montpellier

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Rubber shoe cover, made of 100% natural rubber, wrinkling sole for slip resistance, water proof, good elasticity, good resistance against acid and alkali, non-toxic, No stimulating smell. They can be widely used in industry, agriculture, food processing, etc. 4 sizes. Different colors are available. Package: 100 pairs/case.


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Our development depends on the advanced equipment, excellent talents and continuously strengthened technology forces. Factory Supplier for Rubber shoe cover-M for Montpellier, Looking to the future, a long way to go, constantly striving to become the all staff with full enthusiasm, one hundred times the confidence and put our company built a beautiful environment, advanced products, quality first-class modern enterprise and work hard!


Rubber shoe cover, made of 100% natural rubber, wrinkling sole for slip resistance,

water proof, good elasticity, good resistance against acid and alkali, non-toxic, No stimulating smell.

They can be widely used in industry, agriculture, food processing, etc.

4 sizes. Different colors are available. Package: 100 pairs/case.

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  • Prints and T-shirts http://prints.jeffjag.com
    Daily Artblog http://artblog.jeffjag.com
    For more info: click SHOW MORE.
    Get the song — http://soundcloud.com/jeffjag/dungeon-fairies

    This one has been a while in the making, and it’s not the last video I’ll have for this drawing. More videos coming on a regular basis. This is video number 4 recorded in late April 2013.

    MATERIALS:
    The drawing is called Amazing Realization, and it is an enormous pencil drawing on a 22″ x 30″ sheet of fine heavy drawing paper. I am using mechanical pencils from 0.3mm to 0.5mm, but the vast majority of it is done with 0.3mm drafting pencils. I use a variety of leads from 2H to HB to 2B graphite. I occasionally use paper stumps to blend the pencil, but again, the vast majority of it is hand shaded using a very careful amount of hand pressure, which you can see pretty well in this video.

    TECHNIQUES:
    Whenever I’m holding the pencil much further back from the tip, I’m allowing the pencil’s own weight to press down on the paper which makes for very soft shading. I am also not a robot drawing robot, so I use erasers. I use the white plastic erasers that work so well with drafting pencils, and the rubber gray kneadable erasers you can form into shapes. I like those for lightening areas which have been filled in too dark, and to keep my pencils from rolling off my drawing desk when I’m not using them. I use a horse hair eraser brush to remove eraser shavings from the drawing without smudging my work. I sometimes use a latex glove on my left hand to keep the oil of my hand from getting on the paper, and for a similar reason, I put a sheet of paper under my drawing hand to keep from smudging parts I’ve already drawn while shading.

    THE STORY:
    Last year I started a Kickstarter to make prints of my new drawing, Amazing Realization, for people who wanted them. This is quite an epic project which began in mid November 2012 and continues months into 2013. On January 1st 2013 the Kickstarter was successfully funded at over 200% of my goal. Now I’m just working away at finishing the drawing and doing what I can to show the making-of process along the way. The backers get email updates with new photos showing the progress of the drawing the night I work on it, and I release the photo updates of the drawing daily on my Art blog, http://artblog.jeffjag.com, my facebook fan page http://www.facebook.com/jeffjag.art and my twitter feed @jeffjag (all three feature the same daily content). Check out the kickstarter page and watch the video of me announcing the project on that page. http://www.kickstarter.com/projects/112182510/super-detailed-abstract-pencil-art-amazing-realiza – And if you want a print even though the kickstarter’s over, you can pre-order right on my website or blog through the Amazon button.

    TIME SPENT:
    I started this drawing in November 2012 and I’m already over half way through as of this video, but it’s it’s still unfinished as a whole. The time-lapse for this specific progress video was compiled from two drawing sessions of about 3-4 hours each for a total of around 7 hours of drawing time. Rest assured, I’ll have a rough estimate by the time I post the final time-lapse project video. Subscribe to my channel and you’ll get it delivered right to you from the friendly YouTube folks in your emails.

    SONG – DUNGEON FAIRIES by JeffJag:
    I posted a weird song on video ONE of this series and I heard the comment replies loud and clear. You unanimously told me that you’d rather mute it than listen to my experimental voice tracks… which were admittedly not very good. With that in mind, I took a different path to create the music for this video and I hope the results are better. The sounds were created in the Moog Animoog and Korg iELECTRIBE apps on iOS, then mixed together in a multi-track audio editor. Some of the sounds were used directly, some had effects like distortion and flange applied, and some of them are double-tracked for a fuller sound. I also recorded some ambient people noises from Denver International Airport for the background. Because I like that sort of thing. All recording, sequencing, and mixing was done by myself and you can listen to the track by itself on SoundCloud here: https://soundcloud.com/jeffjag/dungeon-fairies

    TIME-LAPSE VS. STOP MOTION
    Stop motion is used exclusively in this video. The first two videos in the series were shot at a frame every 6-8 seconds. Later on, I decided to get out my camera trigger and you can see me holding the shutter release in my left hand, as I draw with my right hand. I use a latex glove on my left hand while I draw to keep the oil of my hand from getting on the paper. I place a white sheet of paper under my right hand so I can shade without smudging what I’ve already done. Because I have to move my right hand while drawing, this keeps my hand free to move over areas I may have already drawn without smearing the work.



    Hardshell gourds have been used as food and beverage containers, and art pieces for centuries. They are often referred to as “nature’s pottery” due to their beautiful variety of shapes and hardy uses. The creative crafting possibilities of hardshell gourds are endless; from bowls and cups (mate gourds, used for drinking yerba mate), to purses, jewelry, Christmas ornaments, lampshades, jewelry boxes, bird houses, tribal penis shields, and even a wide variety of musical instruments. The list goes on forever, only limited by your imagination.

    But I’m not here right now to tell you what to do with them (maybe later); I’m here to tell you how to clean them inside and out, using safety precautions.

    The need to clean depends largely on what you plan to do with the gourd. You may decide to only work on the outside without a need to open the gourd, in which case you get to avoid the extra work involved. If you plan to make a bowl, for example, then clearly you’ll be working on both inside and outside, as well as cutting and/or carving.

    The outsides of dried gourds are fairly simple to clean, if sometimes labor intensive. The extent to which you clean them depends upon how you want to use them, and what you might want to add to the surface (paints, dyes, etc.). If you want a naturey-looking gourd with its natural waxy coating you don’t have to do much beyond washing off dirt and dark mold with a hot water and bleach solution (maybe 10 parts water to 1 part bleach), which retards future mold growth. However, if you want to dye a gourd, leaving the waxy coating on it might prevent dye from soaking into the surface the way you want it to, which means you’ll have to scrub harder to remove nature’s irritating addition to your innocent craft project.

    The insides of gourds are a different story, and a potentially dangerous one. You need to be careful not to inhale the contents. Not all hardshell gourds are terrible inside, but they are all dusty, and you can’t guess which ones will merely make you sneeze and which ones might contain mold/fungus, bacteria, and other pathogens that could cause serious allergic reactions, including anaphylactic shock. I’ve personally been flattened with a gourd dust-related illness that gourd crafters refer to as “gourd flu”, which was basically illness that mimicked semi-severe flu symptoms (fever, aching joints, muscle soreness, mucus, fatigue) for about two to three days. If there’s a medical term for this, I don’t know what it is, but in hindsight… I probably should have seen a doctor. And you should, too, if it ever happens to you.

    So… to prepare, make sure you use a dust mask. They’re easily found at hardware stores all over. Choose a good one designed for working with wood/sawdust; if possible, look into one that also protects against molds/fungus. Second, use protective goggles. Remember, these precautions aren’t just for gourds; any time you do craftwork involving dust, solvents, tools and so on.

    What can you expect to find when you open a gourd (via Xacto knives/saws, mini electric jigsaws, or Dremels… be careful not to cut yourself)? Dust, seeds, a styrofoam-like substance, and hardened pulp, maybe even a few tiny beetles. You probably don’t want to keep that junk in there, right? So you have to clean it out, and often this is easy, but occasionally this can get ugly.

    You should prepare yourself for cleaning the outside with:
    ~ A sink or tub, the size depending on the size(s) of gourds you’re cleaning.
    ~ Rags
    ~ Copper scrubbing pads. 100% copper means they won’t rust should you want to use them again later.
    ~ Bleach
    ~ Old towel(s)
    ~ Something to scrape with, perhaps a knife edge
    ~ Rubber dish gloves

    You should prepare yourself for cleaning the inside with:
    ~ Gardening gloves, or thicker gloves
    ~ A melon baller
    ~ A taxidermy scraper
    ~ A sanding sponge
    ~ A shop vac
    ~ Dust masks, the best ones being for the finest particulate matter
    ~ Eye protection, especially if you plan on using power tools
    ~ Electric drill with wire brush bit for spots that are hard to reach

    Please don’t ignore the safety precautions, especially regarding sawdust. If you use a high-powered cutting tool (Dremel, etc), you’ll be generating a lot… a LOT… of sawdust from the gourd, and it is very, very fine. The faster the tool, the more dust you’ll create. Many gourd artists opt for mini-jigsaws with variable speeds, to control the cutting and minimize dust. In addition to dust masks and goggles, you should work in a well-ventilated area.

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